{"id":579,"date":"2020-04-04T16:43:16","date_gmt":"2020-04-04T16:43:16","guid":{"rendered":"https:\/\/dorinamalliou.art\/viografiko\/"},"modified":"2023-04-26T14:25:27","modified_gmt":"2023-04-26T14:25:27","slug":"about-dorina","status":"publish","type":"page","link":"https:\/\/dorinamalliou.art\/en\/about-dorina\/","title":{"rendered":"About Dorina"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.16″ background_image=”https:\/\/dorinamalliou.art\/wp-content\/uploads\/2020\/04\/art-gallery-55.jpg” background_size=”initial” background_repeat=”repeat” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”off|phone” _builder_version=”4.16″ background_position=”bottom_center” custom_padding_tablet=”17vw||17vw||false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”Prata|500|||||||” header_2_text_align=”left” header_2_font_size=”56px” header_2_line_height=”1.3em” transform_translate_linked=”off” max_width=”100%” max_width_tablet=”70%” max_width_last_edited=”off|phone” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Dorina Malliou<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ width=”89.1%” max_width=”1373px” custom_padding=”19px|||||” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/dorinamalliou.art\/wp-content\/uploads\/2020\/04\/dorina-\u03c3\u03cd\u03bd\u03b8\u03b5\u03c3\u03b7.png” force_fullwidth=”on” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.4″ text_font=”||||||||” header_font=”||||||||” max_width=”700px” module_alignment=”center” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

(1967)<\/p>\n

Lives and works in Thessaloniki.
1996-2001 Studies at Visual and Applied Arts Department of the Aristotle University of Thessaloniki, Greece (Studio: Yannis Fokas).<\/p>\n

SOLO EXHIBITIONS:<\/span><\/p>\n

2018\u00a0 \u00a0 \u00a0<\/strong>Natural Bonds<\/em>, Ochra Blue Artspace, Lemnos, Greece.
2017\u00a0 \u00a0 \u00a0<\/strong>I Am not What You See, You Are,<\/em> F.A.A.TH. Art Space, Thessaloniki, Greece.
2017\u00a0 \u00a0 \u00a0<\/strong>Beyond the Flower<\/em>, Balkan Art gallery, Xanthi, Greece.
2013\u00a0 \u00a0 \u00a0<\/strong>Botanica<\/em>, Vafopoulio Culture Center, Thessaloniki, Greece.
2010\u00a0 \u00a0 \u00a0<\/strong>Flower Power<\/em>, Espace Kameleon, Paris, France.
2009\u00a0 \u00a0 \u00a0<\/strong>Physistropia<\/em> (Naturalis 2)<\/em>, Orfeos 20 Art space, Xanthi, Greece.
2009\u00a0 \u00a0 \u00a0<\/strong>Naturalis<\/em>, Alatza Imaret, Municipality of Thessaloniki, Greece.
2008\u00a0 \u00a0 \u00a0<\/strong>The Light<\/em>, Gallery La Hune Brenner, Paris, France.<\/p>\n

<\/span><\/strong><\/p>\n

GROUP EXHIBITIONS:\u00a0<\/span><\/p>\n

2022\u00a0 \u00a0 TIMELESS, Historical Museum of Alexandroupolis.<\/span>
2022\u00a0 \u00a0 Flower Power<\/em>, FokiaNou Art Space, Athens.
<\/span>2022\u00a0 \u00a0 ArtPostal<\/em>, Historical & Folklore Museum of Nikiti, Chalkidiki.
<\/span>2022\u00a0 \u00a0 <\/span>\u0397<\/em><\/span>ere, that is, Where_No Apocalypse Now, <\/em><\/span>BACK TO ATHENS 9, Isaiah Mansion, Athens.
<\/span>2022\u00a0 \u00a0 NIKOS KAZANTZAKIS: SALVATORES DEI<\/em>, Govedarou Art gallery, Thessaloniki.<\/span>
2022\u00a0 \u00a0 Size the Moment<\/em>, CHEAPART ATHENS<\/span>.<\/span>
2021\u00a0 \u00a0 Affordable art, <\/em>Gallery LOLA NIKOLAOU, Thessaloniki<\/span>.<\/span>
2020\u00a0 \u00a0 CHEAPART \u03bfn Screen<\/em>, Culture Channel.<\/span>
2020\u00a0 \u00a0 BACK TO ATHENS 7<\/em> (Beast on a diet), International Art Festival, Athens, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>KRIKOS VII<\/em> Contemporary Art Exhibition, Cultural Center of Chania, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>20+ VISUAL ARTISTS<\/em>, 19th Bazaart at Eleni Lazarides Hall of MMCA, Thessaloniki.
2019\u00a0 \u00a0 \u00a0<\/strong>My Odyssey<\/em>, Athens ArtLink, Athens, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>I Wonder if it is a Wonder<\/em>, Container Art Caf\u00e9, Thessaloniki, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>25\/25 Artists & designers<\/em>, CHEAPART 84thTIF Helexpo, Thessaloniki, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>Affordable Art<\/em>, Lola Nikolaou Art Gallery, Thessaloniki, Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>Group Show<\/em>, BALKAN ART gallery, Xanthi, Northern Greece.
2019\u00a0 \u00a0 \u00a0<\/strong>\u03c03\/: Contemporary design art & branding<\/em>, 32nd Athens International Jewellery Show, Metropolitan Expo, Athens.
2019\u00a0 \u00a0 \u00a0<\/strong>Mimonisa<\/em>, French Institute of Thessaloniki, Greece.
2018\u00a0 \u00a0 \u00a0<\/strong>50\/50 Artists & Designers in Dialogue<\/em>, CHEAPART Helexpo, Thessaloniki, Greece.
2018\u00a0 \u00a0 \u00a0<\/strong>Serendipity<\/em>, Conference Center of Piraeus Bank, Thessaloniki, Greece.
2018\u00a0 \u00a0 \u00a0<\/strong>Belezze Diverse<\/em>, Container Art Caf\u00e9, Thessaloniki, Greece.
2018\u00a0 \u00a0 \u00a0<\/strong>CHEAPART<\/em> Evagoras Lanitis Center, Limassol, Cyprus.
2018\u00a0 \u00a0 \u00a0<\/strong>Contemporary Artist\u2019s Book – Project 2<\/em>, Old Library of Athens School of Fine Arts, Athens, Greece.
2016\u00a0 \u00a0 \u00a0<\/strong>ARTmART 4<\/em>, Kunstlerhaus, Vienna, Austria.
2016\u00a0 \u00a0 \u00a0<\/strong>Contemporary Artist\u2019s Book<\/em>, Arteshop & Manifactura Art Gallery, Greek Archaeologists\u2019 Association, Athens, Greece.
2016\u00a0 \u00a0 \u00a0<\/strong>Miniature<\/em>, RO Art Space, Thessaloniki, Greece.
2016\u00a0 \u00a0 \u00a0<\/strong>16th Bazaart<\/em>, MMCA (Macedonian Museum of Contemporary Art) Thessaloniki, Greece.
2016\u00a0 \u00a0 \u00a0<\/strong>30 years of SKETVE<\/em>, Municipal Art Gallery, Thessaloniki, Greece.
2014\u00a0 \u00a0 \u00a0<\/strong>CHEAPART 79thTIF<\/em>, Thessaloniki, Greece.
2013\u00a0 \u00a0 \u00a0<\/strong>Metabolism II<\/em>, CHEAPART.Halandri. Athens, Greece.
2013\u00a0 \u00a0 \u00a0<\/strong>Flowers..and other causes<\/em>, Ochra Blue Art Space , Lemnos, Greece.
2011\u00a0 \u00a0 \u00a0<\/strong>Arteshop PROJECT<\/em> at Karagiorgis Servias 14, Athens, Greece.
2010\u00a0 \u00a0 \u00a0<\/strong>Ofthalmofanes<\/em>, Technopolis-Gazi, Athens, Greece.
2010\u00a0 \u00a0 \u00a0<\/strong>50 -1 gallery<\/em>, Limassol, Cyprus.
2010\u00a0 \u00a0 \u00a0<\/strong>ARTmART 3<\/em>, Kunstlerhaus, Vienna, Austria.
2010\u00a0 \u00a0 \u00a0<\/strong>Power-Body-Motion<\/em>, Olympic Museum of Thessaloniki, Greece.
2010\u00a0 \u00a0 \u00a0<\/strong>X-mas Bazaar<\/em> in TinT gallery, Thessaloniki.
2009\u00a0 \u00a0 \u00a0<\/strong>Spring 2009 -10 New Artists<\/em>, Zina Athanassiadou Gallery, Thessaloniki, Greece.
2009\u00a0 \u00a0 \u00a0<\/strong>In Danger<\/em>, Graduated Fine Artists\u2019 Association of the Thessaloniki, Teloglion Foundation of Art, Thessaloniki, Greece.
2008\u00a0 \u00a0 \u00a0<\/strong>ARTmART 1<\/em>, Kunstlerhaus Vienna, Austria.
2008\u00a0 \u00a0 \u00a0<\/strong>14 women & I<\/em>, Sarantopoulos Mills, Kaminia, Piraeus, Greece.
2007\u00a0 \u00a0 \u00a0<\/strong>Routes. Parallel Program of the 1st Biennale of Thessaloniki<\/em>, Graduated Fine Artists\u2019 Association of Thessaloniki, Naoussa, Kavala, Thessaloniki, Greece.
2007\u00a0 \u00a0 \u00a0<\/strong>Without Spring<\/em>, Graduated Fine Artists\u2019 Association of Thessaloniki, Municipal Art Gallery, Thessaloniki, Greece.
2006\u00a0 \u00a0 \u00a0<\/strong>The Water<\/em>, Graduated Fine Artists\u2019 Association of Thessaloniki, Loutra Paradisos, Municipality of Thessaloniki, Thessaloniki, Greece.
2004\u00a0 \u00a0 \u00a0<\/strong>CHEAPART Thessaloniki 04<\/em>, Mylos, Thessaloniki, Greece.
2003\u00a0 \u00a0 \u00a0<\/strong>205 Artists paint for IOLI<\/em>, Return Gallery, Athens, Greece.
2002\u00a0 \u00a0 \u00a0<\/strong>New Artists Exhibition<\/em>, Technopolis-Gazi, Athens, Greece.
2002\u00a0 \u00a0 \u00a0<\/strong>1 + 1<\/em>, Tobacco Factory, Kavala, Greece.
2002\u00a0 \u00a0 \u00a0<\/strong>Field Action Kodra<\/em>, 2nd Meeting of Alternative Visual Creations, Thessaloniki, Greece.
2001\u00a0 \u00a0 \u00a0<\/strong>4 New Artists<\/em>, Opus 39 Gallery, Nicosia, Cyprus.
2001\u00a0 \u00a0 \u00a0<\/strong>Small is wonderful<\/em>, Vilka Artforum Gallery, Thessaloniki, Greece.
2001\u00a0 \u00a0 \u00a0<\/strong>Studio: Yiannis Fokas<\/em>, Vilka Artforum Gallery, Thessaloniki, Greece.<\/p>\n

Collaborator of CHEAPART GALLERY since 2004.<\/p>\n

AWARDS:<\/span><\/p>\n

2001\u00a0 \u00a0 \u00a0<\/strong>International Airport “Eleftherios Venizelos” Competition, 2nd award.\u00a0<\/span><\/p>\n

PROFESSION:<\/span><\/span><\/p>\n

Teacher of the Arts at High School.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.16″ background_image=”https:\/\/dorinamalliou.art\/wp-content\/uploads\/2020\/04\/art-gallery-55.jpg” background_size=”initial” background_repeat=”repeat” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”Prata|500|||||||” header_2_text_align=”left” header_2_font_size=”40px” header_2_line_height=”1.3em” transform_translate_linked=”off” max_width=”100%” max_width_tablet=”70%” max_width_last_edited=”off|phone” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Texts<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_accordion open_toggle_text_color=”#000000″ open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#606060″ _builder_version=”4.16″ toggle_text_color=”#ffffff” toggle_font=”|700|||||||” global_colors_info=”{}”][et_pb_accordion_item title=”A new disquiet – Konstantinos Matsoukas, M. Phil – 2018″ open=”on” _builder_version=”4.16″ global_colors_info=”{}” toggle_font=”Prata|700|||||||”]<\/p>\n

With time’s passing, a new daring has become visible in the manner in which Dorina Malliou explores her particular artistic idiom, through mixed media on paper.<\/span><\/p>\n

While the old robustness and competency remain, as does the fondness for detail, the yearning for the infinite seems to have retreated. A decade earlier, in her works we faced an enclosed interiority with openings to infinity. \u201cMementos from Eden\u201d, as they had been called. There, the gaze ponders spatiality as a process of mutual interpenetration.<\/span><\/p>\n

Now, the stakes have shifted. The old \u201ctotalitarian sensuality\u201d no longer monopolizes the field with its indisputable charm. Nowadays, it is only one element in an extended vocabulary. Also, the character of what is being articulated today, is much more interrogative. It concerns the interrelations of things, everything than can, or cannot, eventuate in the space in-between. The question is not rhetorical, but rather, open, possessing the tone of a challenge.<\/span><\/p>\n

The issue of pleasure, always central to Malliou’s concerns, is being redefined, especially with reference to the blissful self-sufficiency of older works. Today, the seductive variety of organic forms participates as a constituent element, rather than dominate. Aspects of subversion, rivalry, abrogation invade the field as geometric forms, without apology, composing a new, confrontational language. Coexistence, even if it transpires inside a mandala, is conceived in terms of difference, rather than identity.<\/span><\/p>\n

In the course of this process, the risks taken with the composition, in several works are important. This fact alone signifies a shift. The robust, loquacious painting of N.M. is exploring a new polyphony. And, clearly, the matters under investigation are not exhausted within the paintings’ frame.<\/span><\/p>\n

Through the uncertain flights of some of the works, the contiguity of sharp oppositions, the rupturing of self-enclosed desire, an essential gain is made. This is none other than the rendering unto pleasure of suffering. As psychoanalysis tirelessly reminds us, the infeasibility of proximity, the terror of intimacy, the incommensurability of wishes, the unpredictability of outcomes, are fundamental aspects of the riddle of desire. By bringing these to the fore, with characteristic and singular recklessness, Malliou concedes to leaving Eden behind in exchange for a new, sometimes resounding, dramatic impact.
\u00a0<\/span><\/p>\n

Konstantinos Matsoukas<\/span><\/p>\n

M.Phil<\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Beyond the Flower – Maria Hatzikefala, \u039c.\u0391. Art Historian – 2017″ _builder_version=”4.16″ global_colors_info=”{}” toggle_font=”Prata|700|||||||” open=”off”]<\/p>\n

Through the years Dorina Malliou\u2019s artistic search evolves, yet stays faithful to the principles of Pattern Painting, focusing primarily on the complex and polymorphic designs and colours only to end up to structure and meaning.<\/p>\n

Her designs\/compositions are characterized by a decorative \u201carrangement\u201d of the elements into such forms and analogies that carry the feeling and symbolism with a fine balance.<\/p>\n

Dorina takes advantage of the dynamics of forms and materials in order to create spaces. With a discriminating disrespect she mixes materials, forms and canvas. Her humble pencil, even after hard and patient manual work, still stands as a worthy means along with pure colour and supplements the painter\u2019s artistic repertoire.<\/p>\n

It is the result of an aesthetic sensitivity which presupposes the coordination of the rhythm of cosmic movements so as to convert meaning into feeling.<\/p>\n

The result refers to the symbolic function of the eternal law of the universe through rhythm, harmony and precision. It also refers to a metaphysical perception that lies beneath the surface of things; a reality in its primary structure that generates secondary feelings and ideas.<\/p>\n

Colour and lines are combined so as to lead to an internal life of forms, touching secret the strings which vibrate the senses and create emotion, revealing\u00a0 the\u00a0 pureness of mental state.<\/p>\n

Maria Hatzikefala, M.A.<\/span><\/p>\n

\u00a0Art Historian<\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Botanica – Elli Kokkini Kaplani, Art Historian, Art Critic – 2013″ _builder_version=”4.16″ global_colors_info=”{}” toggle_font=”Prata|700|||||||” open=”off”]<\/p>\n

\u0388\u03c9\u03c2 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1, \u03bf\u03b9 \u03b4\u03b5\u03c3\u03bc\u03bf\u03af \u03c0\u03bf\u03c5 \u03ad\u03c7\u03b5\u03b9 \u03b1\u03bd\u03b1\u03c0\u03c4\u03cd\u03be\u03b5\u03b9 \u03b7 \u039d\u03c4\u03bf\u03c1\u03af\u03bd\u03b1 \u039c\u03ac\u03bb\u03bb\u03b9\u03bf\u03c5 \u03bc\u03b5 \u03c4\u03b7 \u03c6\u03cd\u03c3\u03b7 \u03c6\u03b1\u03af\u03bd\u03b5\u03c4\u03b1\u03b9 \u03c0\u03c9\u03c2 \u03be\u03b5\u03c0\u03b5\u03c1\u03bd\u03bf\u03cd\u03bd \u03c4\u03b1 \u03ba\u03b1\u03b8\u03b1\u03c1\u03ac \u03ba\u03b1\u03b9 \u03b1\u03c0\u03bb\u03ac \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ac \u03c0\u03bb\u03b1\u03af\u03c3\u03b9\u03b1 \u03ba\u03b1\u03b9 \u03b3\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03b9 \u03b1\u03bd\u03b1\u03c0\u03cc\u03c3\u03c0\u03b1\u03c3\u03c4\u03bf \u03ba\u03bf\u03bc\u03bc\u03ac\u03c4\u03b9 \u03c4\u03b7\u03c2 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ae\u03c2 \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b7\u03c3\u03c5\u03c7\u03af\u03b1\u03c2.<\/p>\n

\u03a4\u03b1 \u03ad\u03c1\u03b3\u03b1 \u03c4\u03b7\u03c2, \u03b5\u03bd\u03ce \u03bf\u03c5\u03c3\u03b9\u03b1\u03c3\u03c4\u03b9\u03ba\u03ac \u03ba\u03b9\u03bd\u03bf\u03cd\u03bd\u03c4\u03b1\u03b9 \u03c0\u03ac\u03bd\u03c9 \u03c3\u03b5 \u03bc\u03af\u03b1 \u03b1\u03b4\u03b9\u03ac\u03c6\u03b8\u03bf\u03c1\u03b7 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1, \u03b4\u03b5\u03af\u03c7\u03bd\u03bf\u03c5\u03bd \u03bd\u03b1 \u03c5\u03c0\u03bf\u03c3\u03c4\u03b7\u03c1\u03af\u03b6\u03bf\u03c5\u03bd \u03c4\u03b7\u03bd \u03c0\u03b1\u03c1\u03ac\u03b4\u03bf\u03c3\u03b7 \u03bc\u03b9\u03b1\u03c2 \u03c3\u03c5\u03bc\u03b2\u03bf\u03bb\u03b9\u03ba\u03ae\u03c2 \u03b9\u03b4\u03ad\u03b1\u03c2, \u03b2\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c3\u03b5 \u03ba\u03af\u03bd\u03b7\u03c3\u03b7 \u03c4\u03bf \u03bc\u03b7\u03c7\u03b1\u03bd\u03b9\u03c3\u03bc\u03cc \u03b1\u03bd\u03c4\u03af\u03c1\u03c1\u03bf\u03c0\u03c9\u03bd \u03c6\u03b1\u03bd\u03c4\u03b1\u03c3\u03b9\u03ce\u03c3\u03b5\u03c9\u03bd.<\/p>\n

\u0397 \u03b5\u03bd\u03c4\u03cd\u03c0\u03c9\u03c3\u03b7 \u03c0\u03bf\u03c5 \u03b4\u03af\u03bd\u03bf\u03c5\u03bd \u03bf\u03b9 \u03c6\u03c5\u03c4\u03bf\u03c6\u03cc\u03c1\u03b5\u03c2 \u03c3\u03c5\u03bd\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2, \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03bd\u03b5\u03b9\u03c1\u03b9\u03ba\u03ad\u03c2 \u03c3\u03c5\u03bd\u03ac\u03bc\u03b1, \u03ba\u03b1\u03c4\u03b1\u03b4\u03b5\u03af\u03c7\u03bd\u03b5\u03b9 \u03ad\u03bd\u03b1 \u03ac\u03bd\u03bf\u03b9\u03b3\u03bc\u03b1 \u03c0\u03ad\u03c1\u03b1 \u03b3\u03b9\u03b1 \u03c0\u03ad\u03c1\u03b1 \u03bf\u03bd\u03c4\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ac \u03c5\u03c0\u03b5\u03c1\u03c6\u03c5\u03c3\u03b9\u03ba\u03cc, \u03b1\u03bd\u03b5\u03be\u03b9\u03c7\u03bd\u03af\u03b1\u03c3\u03c4\u03bf \u03c3\u03c4\u03b7\u03bd \u03c0\u03bf\u03bb\u03c5\u03c0\u03bb\u03bf\u03ba\u03cc\u03c4\u03b7\u03c4\u03ac \u03c4\u03bf\u03c5, \u03b5\u03bb\u03ba\u03c4\u03b9\u03ba\u03cc \u03cc\u03bc\u03c9\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03b5\u03be\u03c9\u03c4\u03b9\u03ba\u03ae \u03c4\u03bf\u03c5 \u03c7\u03c1\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u03c0\u03b1\u03bd\u03b4\u03b1\u03b9\u03c3\u03af\u03b1.<\/p>\n

\u03a3\u03c4\u03b7\u03bd \u03c0\u03c1\u03cc\u03c3\u03c6\u03b1\u03c4\u03b7 \u03c4\u03c1\u03b9\u03bc\u03b5\u03c1\u03ae \u03c3\u03b5\u03b9\u03c1\u03ac \u03ad\u03c1\u03b3\u03c9\u03bd \u03c4\u03b7\u03c2, \u03b7 \u039c\u03ac\u03bb\u03bb\u03b9\u03bf\u03c5 \u00ab\u03ba\u03b1\u03bb\u03bb\u03b9\u03b5\u03c1\u03b3\u03b5\u03af\u00bb \u03c3\u03c4\u03bf \u03c0\u03c1\u03ce\u03c4\u03bf \u03bc\u03ad\u03c1\u03bf\u03c2 \u03b5\u03cd\u03c3\u03c4\u03bf\u03c7\u03b1 \u03b9\u03b4\u03ad\u03b5\u03c2, \u03c3\u03c4\u03b9\u03c2 \u03bf\u03c0\u03bf\u03af\u03b5\u03c2 \u03b1\u03bd\u03c4\u03b9\u03c6\u03b5\u03b3\u03b3\u03af\u03b6\u03bf\u03bd\u03c4\u03b1\u03b9 \u03b7 \u03bf\u03c1\u03b3\u03b1\u03bd\u03b9\u03ba\u03ae \u03b6\u03c9\u03bd\u03c4\u03ac\u03bd\u03b9\u03b1 \u03c4\u03b7\u03c2 \u03c6\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03cd\u03bb\u03b7\u03c2, \u03b7 \u03c0\u03bf\u03bb\u03c5\u03c0\u03bb\u03bf\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03c9\u03bd \u03c0\u03bf\u03bb\u03c5\u03bc\u03bf\u03c1\u03c6\u03b9\u03ba\u03ce\u03bd \u03c4\u03bf\u03c5\u03c2 \u03c3\u03c5\u03c3\u03c4\u03b7\u03bc\u03ac\u03c4\u03c9\u03bd, \u03b7 \u03c0\u03b1\u03bb\u03bb\u03cc\u03bc\u03b5\u03bd\u03b7, \u03c7\u03c1\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03c3\u03c5\u03bb\u03bb\u03b5\u03b9\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b5\u03bd\u03c4\u03ac\u03c3\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2, \u03b5\u03bd\u03b9\u03c3\u03c7\u03c5\u03bc\u03ad\u03bd\u03b7 \u03b1\u03c0\u03cc \u03c4\u03b9\u03c2 \u03b4\u03bf\u03bd\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03c6\u03c9\u03c4\u03cc\u03c2. \u03a3\u03c4\u03bf \u03b5\u03c0\u03cc\u03bc\u03b5\u03bd\u03bf \u03b2\u03ae\u03bc\u03b1 \u03c4\u03b7\u03c2, \u03bc\u03b5 \u03b2\u03ac\u03c3\u03b7 \u03b1\u03c5\u03c4\u03cc \u03c4\u03bf \u03c3\u03c5\u03bd\u03b8\u03b5\u03c4\u03b9\u03ba\u03cc \u03c0\u03c5\u03c1\u03b5\u03c4\u03cc, \u03c0\u03c1\u03bf\u03c7\u03c9\u03c1\u03ac \u03c3\u03b5 \u03b5\u03c4\u03b5\u03c1\u03cc\u03ba\u03bb\u03b7\u03c4\u03b5\u03c2 \u03c3\u03c5\u03bd\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2, \u03cc\u03c0\u03bf\u03c5 \u03bf\u03b9 \u03b5\u03be\u03c0\u03c1\u03b5\u03c3\u03b9\u03bf\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03ad\u03bd\u03c4\u03bf\u03bd\u03b5\u03c2 \u03c7\u03c1\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ac, \u03c3\u03cd\u03bc\u03bc\u03b5\u03c4\u03c1\u03b5\u03c2 \u03ae \u03bc\u03b7 \u03c6\u03cc\u03c1\u03bc\u03b5\u03c2, \u03b5\u03bc\u03c0\u03bb\u03b5\u03ba\u03cc\u03bc\u03b5\u03bd\u03b5\u03c2 \u03bc\u03b5 \u03c6\u03c5\u03c4\u03b9\u03ba\u03ac \u03bc\u03bf\u03c4\u03af\u03b2\u03b1, \u03ba\u03c5\u03c1\u03af\u03c9\u03c2 \u03b1\u03bd\u03b8\u03bf\u03c6\u03cc\u03c1\u03b1, \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03bf\u03cd\u03bd \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1 \u03c3\u03c5\u03bd\u03bf\u03c8\u03b9\u03c3\u03bc\u03ad\u03bd\u03b1, \u03c0\u03bf\u03c5 \u03c0\u03b1\u03c1\u03b1\u03c0\u03ad\u03bc\u03c0\u03bf\u03c5\u03bd \u03c3\u03b5 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b5\u03c2 \u03bc\u03b5 \u03bc\u03af\u03b1 \u03b1\u03b4\u03b9\u03cc\u03c1\u03b1\u03c4\u03b7 \u03c4\u03c1\u03c5\u03c6\u03b5\u03c1\u03cc\u03c4\u03b7\u03c4\u03b1 \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03c3\u03bc\u03cc, \u03b4\u03c1\u03ac\u03c3\u03b7, \u03b1\u03bd\u03b1\u03b6\u03b7\u03c4\u03ae\u03c3\u03b5\u03b9\u03c2.<\/p>\n

\u03a3\u03c4\u03b7\u03bd \u03c4\u03c1\u03af\u03c4\u03b7 \u03b5\u03c0\u03b9\u03bb\u03bf\u03b3\u03ae \u03c4\u03b7\u03c2, \u03ad\u03c1\u03b3\u03b1 \u03c0\u03bf\u03c5 \u03b7 \u03af\u03b4\u03b9\u03b1 \u03c7\u03b1\u03c1\u03b1\u03ba\u03c4\u03b7\u03c1\u03af\u03b6\u03b5\u03b9 \u03c9\u03c2 \u03c3\u03c7\u03ad\u03b4\u03b9\u03b1, \u03b1\u03bd\u03b1\u03b4\u03b5\u03b9\u03ba\u03bd\u03cd\u03bf\u03bd\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1 \u03bf\u03b9 \u03bb\u03b5\u03c0\u03c4\u03bf\u03bc\u03ad\u03c1\u03b5\u03b9\u03b5\u03c2 \u03c4\u03bf\u03c5 \u03b1\u03bd\u03b8\u03bf\u03c6\u03cc\u03c1\u03bf\u03c5 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd, \u03b5\u03c5\u03ba\u03c1\u03b9\u03bd\u03b5\u03af\u03c2 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b9\u03c2 \u03b1\u03c0\u03b1\u03bb\u03ad\u03c2 \u03b1\u03c0\u03bf\u03c7\u03c1\u03ce\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03b9\u03ce\u03b4\u03bf\u03c5\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u03c1\u03bf\u03b6, \u03bc\u03b5 \u03c4\u03b9\u03c2 \u03bf\u03c0\u03bf\u03af\u03b5\u03c2 \u03c4\u03bf\u03bd \u03b5\u03c0\u03b5\u03bd\u03b4\u03cd\u03b5\u03b9.
\u0397 \u03b4\u03bf\u03bc\u03ae \u03c4\u03c9\u03bd \u03ad\u03c1\u03b3\u03c9\u03bd \u03c4\u03b7\u03c2 \u03b9\u03b4\u03b9\u03cc\u03c4\u03c5\u03c0\u03b7\u03c2 \u03b1\u03c5\u03c4\u03ae\u03c2 \u03b1\u03bd\u03b8\u03bf\u03c6\u03cc\u03c1\u03bf\u03c5 \u03b5\u03bd\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2, \u03c6\u03cc\u03c1\u03bf\u03c2 \u03c4\u03b9\u03bc\u03ae\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03b1\u03bd\u03b1\u03c6\u03ad\u03c1\u03b5\u03b9 \u03c3\u03c4\u03b7 Georgia O\u0384Keefe, \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b9\u03b4\u03b1 \u03c0\u03bf\u03c5 \u03cd\u03bc\u03bd\u03b7\u03c3\u03b5 \u03c4\u03b7\u03bd \u03bf\u03bc\u03bf\u03c1\u03c6\u03b9\u03ac \u03c4\u03c9\u03bd \u03bb\u03bf\u03c5\u03bb\u03bf\u03c5\u03b4\u03b9\u03ce\u03bd, \u03b4\u03b9\u03b1\u03c6\u03bf\u03c1\u03bf\u03c0\u03bf\u03b9\u03b5\u03af\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03b7 \u03c3\u03cd\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03c9\u03bd \u03c0\u03c1\u03bf\u03b7\u03b3\u03bf\u03cd\u03bc\u03b5\u03bd\u03c9\u03bd.<\/p>\n

\u0393\u03af\u03bd\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03bc\u03bf\u03bb\u03cd\u03b2\u03b9 \u03c0\u03ac\u03bd\u03c9 \u03c3\u03b5 \u03cd\u03c6\u03b1\u03c3\u03bc\u03b1, \u03b3\u03b5\u03b3\u03bf\u03bd\u03cc\u03c2 \u03c0\u03bf\u03c5 \u03b4\u03b5\u03bd \u03b5\u03c0\u03b9\u03b4\u03ad\u03c7\u03b5\u03c4\u03b1\u03b9 \u03b4\u03b9\u03bf\u03c1\u03b8\u03ce\u03c3\u03b5\u03b9\u03c2, \u03b5\u03bd\u03b4\u03cd\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c7\u03c1\u03ce\u03bc\u03b1\u03c4\u03b1 \u03b1\u03ba\u03bf\u03c5\u03b1\u03c1\u03ad\u03bb\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03c4\u03c9\u03bd \u03bc\u03bf\u03c4\u03af\u03b2\u03c9\u03bd \u03be\u03b5\u03ba\u03b9\u03bd\u03ac \u03b1\u03c0\u03cc \u03ad\u03bd\u03b1\u03bd \u03ba\u03b5\u03bd\u03c4\u03c1\u03b9\u03ba\u03cc \u03c0\u03c5\u03c1\u03ae\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03b1\u03c0\u03bb\u03ce\u03bd\u03b5\u03c4\u03b1\u03b9 \u03ba\u03c5\u03ba\u03bb\u03b9\u03ba\u03ac \u03bc\u03b5 \u03c0\u03b5\u03c1\u03af\u03c4\u03b5\u03c7\u03bd\u03bf\u03c5\u03c2, \u03ba\u03b1\u03bc\u03c0\u03c5\u03bb\u03cc\u03c3\u03c7\u03b7\u03bc\u03bf\u03c5\u03c2 \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03bf\u03cd\u03c2. \u039f\u03b9 \u03c3\u03c5\u03bc\u03b2\u03bf\u03bb\u03b9\u03c3\u03bc\u03bf\u03af \u03cc\u03c0\u03c9\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b5\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b5\u03c2 \u03c0\u03bf\u03c5 \u03c0\u03c1\u03bf\u03ba\u03cd\u03c0\u03c4\u03bf\u03c5\u03bd \u03b5\u03af\u03bd\u03b1\u03b9 \u03c0\u03bf\u03b9\u03ba\u03b9\u03bb\u03ce\u03bd\u03c5\u03bc\u03b5\u03c2. \u038c\u03c0\u03c9\u03c2 \u03cc\u03c4\u03b9 \u03b1\u03c0\u03cc \u03ad\u03bd\u03b1\u03bd \u03bc\u03c5\u03c3\u03c4\u03b7\u03c1\u03b9\u03ce\u03b4\u03b7 \u03c0\u03c5\u03c1\u03ae\u03bd\u03b1 \u03be\u03b5\u03ba\u03b9\u03bd\u03ac \u03ba\u03b1\u03b9 \u03b1\u03bd\u03b1\u03c0\u03c4\u03cd\u03c3\u03c3\u03b5\u03c4\u03b1\u03b9 \u03ba\u03ac\u03b8\u03b5 \u03b6\u03c9\u03c4\u03b9\u03ba\u03ae \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1, \u03b7 \u03af\u03b4\u03b9\u03b1 \u03b7 \u03b6\u03c9\u03ae \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7 \u03b3\u03c5\u03bd\u03b1\u03b9\u03ba\u03b5\u03af\u03b1 \u03bc\u03ae\u03c4\u03c1\u03b1.<\/p>\n

\u03a3\u03c4\u03b7\u03bd \u03c0\u03bb\u03bf\u03ba\u03ae \u03b1\u03c5\u03c4\u03ce\u03bd \u03c4\u03c9\u03bd, \u03c0\u03bf\u03b9\u03b7\u03c4\u03b9\u03ba\u03ce\u03bd \u03b8\u03b1 \u03bb\u03ad\u03b3\u03b1\u03bc\u03b5, \u03c3\u03c7\u03b7\u03bc\u03ac\u03c4\u03c9\u03bd \u03bc\u03c0\u03bf\u03c1\u03b5\u03af \u03ba\u03b1\u03bd\u03b5\u03af\u03c2 \u03bd\u03b1 \u03b1\u03bd\u03b1\u03ba\u03b1\u03bb\u03cd\u03c8\u03b5\u03b9 \u03b1\u03bd\u03b8\u03c1\u03c9\u03c0\u03cc\u03bc\u03bf\u03c1\u03c6\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b6\u03c9\u03cc\u03bc\u03bf\u03c1\u03c6\u03b5\u03c2 \u03c6\u03b9\u03b3\u03bf\u03cd\u03c1\u03b5\u03c2, \u03b1\u03bd\u03ac\u03bb\u03b1\u03c6\u03c1\u03b1 \u03b4\u03bf\u03c3\u03bc\u03ad\u03bd\u03b5\u03c2 \u03bc\u03ad\u03c3\u03b1 \u03c3\u03b5 \u03bc\u03af\u03b1 \u03c3\u03c5\u03bc\u03c0\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae, \u03c7\u03bf\u03c1\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae \u03b4\u03af\u03bd\u03b7.
\u039c\u03b5 \u03c4\u03b1 \u03ad\u03c1\u03b3\u03b1 \u03b1\u03c5\u03c4\u03ae\u03c2 \u03c4\u03b7\u03c2 \u03c4\u03c1\u03b9\u03bc\u03b5\u03c1\u03bf\u03cd\u03c2 \u03bf\u03bc\u03ac\u03b4\u03b1\u03c2 \u03b7 \u039c\u03ac\u03bb\u03bb\u03b9\u03bf\u03c5 \u03ba\u03ac\u03bd\u03b5\u03b9 \u03c0\u03b9\u03bf \u03b4\u03b9\u03b5\u03b9\u03c3\u03b4\u03c5\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03bd \u03b1\u03bd\u03c4\u03af\u03bb\u03b7\u03c8\u03ae \u03bc\u03b1\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03ba\u03cc\u03c3\u03bc\u03bf. \u039c\u03b5 \u03c4\u03c1\u03cc\u03c0\u03bf \u03b5\u03cd\u03c3\u03c7\u03b7\u03bc\u03bf \u03b5\u03c0\u03b1\u03bd\u03b1\u03c6\u03ad\u03c1\u03b5\u03b9 \u03ad\u03bd\u03b1 \u03b5\u03af\u03b4\u03bf\u03c2 \u03cc\u03c0\u03c9\u03c2 \u03b7 \u03b1\u03bd\u03b8\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1, \u03c0\u03bf\u03c5 \u03c9\u03c2 \u03b1\u03c5\u03c4\u03bf\u03c4\u03b5\u03bb\u03ad\u03c2 \u03b8\u03ad\u03bc\u03b1 \u03ad\u03c7\u03b5\u03b9 \u03b1\u03c0\u03b1\u03c3\u03c7\u03bf\u03bb\u03ae\u03c3\u03b5\u03b9 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03ba\u03b1\u03c4\u03ac \u03c4\u03bf \u03c0\u03b1\u03c1\u03b5\u03bb\u03b8\u03cc\u03bd.<\/p>\n

\u039f\u03b9 \u03b4\u03b9\u03ba\u03bf\u03af \u03c4\u03b7\u03c2 \u03c3\u03c4\u03cc\u03c7\u03bf\u03b9 \u03c0\u03c1\u03bf\u03c7\u03c9\u03c1\u03bf\u03cd\u03bd \u03c3\u03b5 \u03b5\u03bd\u03b4\u03bf\u03c3\u03ba\u03bf\u03c0\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03c6\u03c5\u03c4\u03b9\u03ba\u03bf\u03cd \u03c0\u03bb\u03bf\u03cd\u03c4\u03bf\u03c5, \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b8\u03bf\u03c6\u03bf\u03c1\u03af\u03b1\u03c2, \u03c4\u03b7\u03c2 \u03b1\u03ad\u03bd\u03b1\u03b7\u03c2, \u03b6\u03c9\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03bd\u03b1\u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae\u03c2 \u03c4\u03bf\u03c5\u03c2. \u039a\u03b1\u03b9 \u03bc\u03ad\u03c3\u03c9 \u03c4\u03b7\u03c2 \u03b4\u03b9\u03b1\u03b4\u03b9\u03ba\u03b1\u03c3\u03af\u03b1\u03c2 \u03b1\u03c5\u03c4\u03ae\u03c2 \u03b1\u03bd\u03b1\u03b4\u03b5\u03b9\u03ba\u03bd\u03cd\u03b5\u03c4\u03b1\u03b9 \u03b7 \u03c0\u03c1\u03bf\u03c3\u03c9\u03c0\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03b9\u03ba\u03b1\u03bd\u03cc\u03c4\u03b7\u03c4\u03b1 \u03bd\u03b1 \u03b4\u03b9\u03b1\u03c7\u03b5\u03b9\u03c1\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03ad\u03bd\u03b1 \u03b8\u03ad\u03bc\u03b1 \u03b8\u03b5\u03c9\u03c1\u03b7\u03c4\u03b9\u03ba\u03ac \u03b1\u03c0\u03bb\u03cc, \u03bc\u03b5 \u03c4\u03c1\u03cc\u03c0\u03bf\u03c5\u03c2 \u03c0\u03bf\u03c5 \u03c0\u03c1\u03bf\u03c3\u03c6\u03ad\u03c1\u03bf\u03c5\u03bd \u03bc\u03af\u03b1 \u03bb\u03c5\u03c1\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03b3\u03b9\u03b1\u03c4\u03af \u03cc\u03c7\u03b9 \u03b1\u03b9\u03c3\u03b8\u03b7\u03c3\u03b9\u03b1\u03ba\u03ae \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1 \u03b5\u03bd\u03cc\u03c2 \u03bc\u03b1\u03b3\u03b5\u03bc\u03ad\u03bd\u03bf\u03c5 \u03b1\u03bd\u03b8\u03cc\u03ba\u03b7\u03c0\u03bf\u03c5, \u03bf\u03c1\u03b1\u03c4\u03bf\u03cd \u03ba\u03b1\u03b9 \u03ba\u03c1\u03c5\u03bc\u03bc\u03ad\u03bd\u03bf\u03c5, \u03bc\u03b5 \u03c0\u03c4\u03c5\u03c7\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03c1\u03bf\u03bf\u03c0\u03c4\u03b9\u03ba\u03ad\u03c2 \u03bd\u03ad\u03c9\u03bd \u03b5\u03be\u03b5\u03c1\u03b5\u03c5\u03bd\u03ae\u03c3\u03b5\u03c9\u03bd.<\/p>\n

\u0388\u03bb\u03bb\u03b7 \u039a\u03bf\u03ba\u03ba\u03af\u03bd\u03b7 \u039a\u03b1\u03c0\u03bb\u03ac\u03bd\u03b7
\u0399\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03cc\u03c2, \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03cc\u03c2 \u03a4\u03ad\u03c7\u03bd\u03b7\u03c2<\/em>
\u03a0\u03c1\u03bf\u03ca\u03c3\u03c4\u03b1\u03bc\u03ad\u03bd\u03b7 \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd \u0395\u03ba\u03b4\u03b7\u03bb\u03ce\u03c3\u03b5\u03c9\u03bd &<\/em>
\u0395\u03b9\u03ba\u03b1\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd<\/em>
\u0392\u03b1\u03c6\u03bf\u03c0\u03bf\u03cd\u03bb\u03b5\u03b9\u03bf\u03c5 \u03a0\u03bd\u03b5\u03c5\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03cd \u039a\u03ad\u03bd\u03c4\u03c1\u03bf\u03c5<\/em><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Naturalis – Eleni Katsarka, Art Historian – 2009″ _builder_version=”4.16″ global_colors_info=”{}” toggle_font=”Prata|700|||||||” open=”off”]<\/p>\n

All of a sudden-as if awaken from a deep sleep- you find yourself gazing at heavenly gardens where shapes, colors, scents, adventures, experiences, memories and dreams flourish. Leaves of blue and green morning dew and transparent shadows embrace beauty and samples of glaring fauna capture red, sapphire, orange and violet.<\/p>\n

This is the first impression of Dorina Malliou\u2019s colorful world of painting and her compositions that remind us of efflorescent jungles- an Eden of senses and thrills. These works of art, so effortlessly created, do not intend to imitate reality but to create a new reality. A new reality that will free us from the tension of our deafening daily routine, calm us down with its whisper of peaceful beauty and comfort us just like fairy tales do.<\/p>\n

Through the dramatic eruptions of color, the glaring shades, the condensation and dilution of matter, the rough outlines and the unpredictable ways of the lines we can recognize samples of this new reality. The mysterious and invisible starts to reveal itself silently and noiselessly and we come to acknowledge the imprint of the experiential knowledge and the very essence of a personal truth that lies behind the extrovert work of Dorina Malliou. Through the creative euphoria and the pure joy of life that stem through the optimism and dynamic character of the artist, well hidden aspects of her fragile, poetic and reflective\u00a0 nature are revealed. \u00a0\u00a0\u00a0<\/p>\n

This second, more careful interpretation of her work allows us to discern and experience everything we could not see at first sight. It allows us to distinguish the perspicacious use of color matter that imparts a new, transcendent dimension to the contrasts of colors. A tendency for soul-searching and insight so effectively described through the fine and noble lines. It is the artist\u2019s perception of the world that can ignite authentic aesthetic thrills.<\/p>\n

We can now discern the essence of things, the way the mind deals with the study of \u2018being\u2019 and \u2018becoming\u2019. \u2026\u2026the complicated whirlwind of images sounds like a visual confession. The kaleidoscopic colors vibrate by the soul that lusts for discovery. The dynamic pulse obeys the demands of an alive being and seems capable of a never-ending evolution. These coherences generate a kind of painting that a goes a step beyond the joy of creation and the search for truth. They generate a kind of painting that aspires to appropriate moments of the grandeur and the perfection of Creation.<\/p>\n

The glaring microcosm of plants that springs out of the artist\u2019s paint brush is now fighting to survive, struggling to find its way into space, conquer time and spread to light just like vegetation grows and overpowers immobility. The complicated rhythm of the painting echoes Odysseus\u2019 struggle for survival. The various organic shapes remind us the adventures of life. The lines, shapes and colors seem to derive knowledge from the complex structure of the universe. The chaotic dynamics of nature are present in the whole painting and in every detail since the random organization of matter structures the complex configurations in an unpredictable way and imparts a \u2018universal\u2019 charm to the painting.<\/p>\n

It is said that Chinese writing uses fifty different symbols to imprint the fall of a leaf. Fifty different ideograms are used to describe something as sensitive and fragile as the \u2018end\u2019 of a leaf. This is one of the best examples to describe the poetic perception of the world. Dorina Malliou, genuinely expressing this perception, is tirelessly and endlessly looking for ways to transfuse her artistic vision imprinting with poetic detail the world that surrounds her.<\/p>\n

Exuberant and yet refined, brave and enchanting, fiery but also nostalgic, vigorous and comforting,<\/p>\n